PEPYS PISSED

This page roughly covers the period from the Civil War until 1700. The contest between Roundheads and Cavaliers provided many drinking songs celebrating their political ideologies. The Cavaliers were characterised as free livers, and some of them tried to match up to this image. Because an excise on drink was introduced during the Civil War (by both sides) it was often argued that the more you drank the more you helped your cause and your country (an argument that still holds good, of course).

Drinks themselves also had their party-politics: wine was associated with the Royalist cause, whilst ale and beer belonged to the Parliamentarians, the latter association partly aided by the fact that Cromwell's mother had a brewery.

The songs are pretty poor fare and so I only include the one, The Wine-Cooper's Delight, whose main target is the First Earl of Shaftesbury, Anthony Ashley Cooper. This is 1681 and here he is blamed for the placing of heavy duties on French wine and activities deemed anti-Charles II. He had had a 'tap' fitted into his side during the removal of a cyst and had decided to leave it there as a 'drain' rather than have it removed. This accounts for the comments about the 'tap' in his side. His name, 'Cooper', also handily succeeded Cromwell 'the Brewer', so this song (to the tune of The Delights of the Bottle) takes in the ideological fighting evident since the Civil War.

As to Pepys, his diaries cover the 1660s when he was a youngish man determined to get on. They begin with his struggle to control his liking for alcohol and theatre-going, and end with his fondness for assignations in taverns. Robert Latham's edition of the Diaries has an Appendix section that gives information on, amongst other things, the taverns and coffee-houses of the time.

Click here for Pepys

 

 

The Wine-Cooper's Delight

 

 
   

 

The Delights of the Bottle are turn'd out of doors,

By factious Fanatical sons of damn'd whores,

French wines' Prohibition meant no other thing

But to poyson the Subject, and begger the King:

Good Nature's suggested with dregs like to choak her,

Of fulsom stum'd Wine by the cursed Wine-Cooper.

 

Our plaguy Wine-Cooper has tamper'd so much,

To find out the subtilty of the false Dutch:

He tinctures prickt White-wine, that never was good,

Till it mantles, and sparkles, and looks like Bull's blood;

Butt when it declines, and its Spirits expire,

He adds more ingredients, and makes it look higher.

 

His old rotten Pipes, where he keeps all this Trash,

For fear they should burst, Sir, he hoops them with Ash;

When the Sophistication begins for to froth,

And boyls on the Fret, Sir, he wisely pulls forth

A Tap, which gives vent to the grounds of the Cause,

And then is to vamp up a second Red Nose.

 

Then this dungy Wine-Cooper stops it up again,

And keeps it unvented till 't 's on a flame.

The Intelligences then were invented to show

Where Wine of strange Vertues in plenty did flow.

People from all parts of the Nation did come,

Both Lords, Knights and Gentlemen, Doctor and Bum.

 

The Cooper then pulls the Tap out of his side,

And drinks to the Elders of all his good Tribe.

But when they had gusl'd about all their Bowls,

They found a strange Freedom it gave to their Souls,

Of secrets in Nature, that never were known,

It gave them Inspiration from Begger to Throne.

 

The second part

 

For the Cooper himself full Brimmers did draw,

And all the whole Gang were oblig'd to do so.

Amongst these Cabals there was no such a thing

As a health once propos'd to the Duke or the King;

But drank to that Idol of Hopes, in their Powers,

And Sons of most Infamous Hackney old Whores.

 

Then the Rabble had notice from Smith and from Ben,

What a heavenly liquor was sent amongst men.

Both Tinkers and Coblers, the Broom-men and Sweep,

Before this Wine-Cooper in Flocks they did meet;

And each under foot stampt his old greazy Bonnet,

To drink M------th's Health, Sir, whatever came on it.

 

The Cooper perceiving his Trade to approach,

He then was resolved once more to debauch.

To encourage the Rabble, and shew himself stout,

He pull'd out the Spigot amongst the whole Rout;

Which kindness provokt them to swear they would bring

Such Trade to his House as wou'd make him a King.

 

A Hat or a Pottle was still at the Tap,

But Zealots some times laid their Mouths to the Fat.

They charg'd their brisk Bumpers so many times round,

Till part of the Mobile sprawl'd on the ground:

But when this damn'd Liquor was got in their pates,

They fell to Bumbasting, Disord'ring of States.

 

They began to cant Dangers by formal Sedition,

And swear lawful Allegiance 'gainst lawful Succession.

When these Propositions began to take Fire,

They scre'd their Presumptions a hole or two higher:

But still they keep under Hugh Peter's Cloack,

To bring in the Devil, to drive out the Pope.

 

But then they began for to pick at the Crown,

Each thinking that he deserv'd one of his own.

Then all the King's Guards they though fit to Indict,

Swear Treason 'gainst all that maintan'd the K[ing]'s Right.

"Both Papist and Protestant, no matter whether;

They are not of our party, let's hang em'together."

 

"Next, the chief of our Game is to keep the King poor,

And our Senators must the Militia secure.

The Navy and Cinque-Ports we'll have in our hands,

And then we'l make th'Kingdom obey our Commands:

Then if Charles do withstand us, we need not to fight,

To make Eight-one to out-do Forty-eight.

 

"Whatever Objections great Loyallists bring,

Old Adamliv'd happy without e're a King.

Then why may not we, that are much wiser than he,

Subdue the whole World, Sir, by our Sov'reignty?

If one man alone can keep three Nations under,

Then why may not we that are Kings without number?"

 

"Right," said the Cooper, and shak'd his old Noddle,

"Three Kingdoms we'l toss, like a Child in a Cradle.

Stick close to this Liquor which I do prepare,

'Twilll make us as splendid as Noll in his chair.

We'l kindle old Plots, by inventing of new,

Till none shall be safe but the Cooper and You."

 

"O brave Boys! O brave Boys!" the Rabble did rore,

"Tantivies and Torise shall Hector no more;

By Us they're out-acted, to Us they shall bend,

Whilst we to our Dignities freely ascend."

Then they were dead-drunk as the Devil could make 'em,

And fell fast asleep, as ten Drums could not wake 'em.

 

In the P... and the S..w the poor Cooper did paddle,

To stop up his Tap, but the Knave was not able.

For his Limbls like a Tortoise did shrivle and crease,

Down drops the Wine-Cooper with the other Beasts.

And there the whole Litter as yet doth abide,

At the Sign of the Butt, with the Tap in one side.

 

London: printed for the Protestant Ballad-Singers

 

Note

The woodcut at the head was with the ballad, dated early 1681. The editor of The Roxburghe Ballads describes the picture: 'Among them [the revellers] Shaftesbury, the "Cooper," holds a prominent place, at head of the table. Probably the other figures were intended to caricature Sir Thomas Armstrong, Lord Gray, with divers conspirators and acquaintances. One coarse figure, symbolically disgracing the Tap of a barrel, to the extreme right of the woodcut, perhaps represented the poet!'